Crafting Moments That Make You Say: Thats Disgusting Where?

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“Thats” vs. “That's”: Here's The Difference | Lingua Blog

Crafting Moments That Make You Say: Thats Disgusting Where?

“Thats” vs. “That's”: Here's The Difference | Lingua Blog

Have you ever read a story, or maybe watched a show, and suddenly found yourself recoiling, perhaps even saying aloud, "thats disgusting where did that come from?" It's a powerful reaction, isn't it? That feeling of shock, discomfort, or even a little bit of revulsion, it sticks with you. For those of us who love to spin tales, whether on paper or just in our heads, understanding how to stir up such strong feelings in our audience is a pretty interesting challenge. It's about getting someone to truly feel something deep down, and that, in a way, is a sign of a story that truly connects.

Sometimes, as writers, we aim to create characters or situations that push boundaries a little, or maybe a lot. Think about the discussions that happen among storytellers, like the ones I've seen pop up in writing communities. People often talk about how to make a character who isn't always nice, maybe even "a likable asshole," or how to write someone who just doesn't hold back, a "ruthless character," without making them just plain evil. It’s a fine line, you know? And honestly, it's those moments where a character does something truly unexpected, something that might make you squirm a little, that often make them feel incredibly real, rather than just words on a page.

So, when we think about "thats disgusting where," we're not just talking about a messy place. We're actually talking about those specific points in a story where a character's choice, a plot twist, or a description really hits you hard. It's about the craft of making a reader or viewer feel that visceral reaction. It's about knowing how to put a character in a situation that reveals who they truly are, even if that revelation is a bit unsettling. And that, you know, is a pretty cool skill to have when you're trying to bring your ideas to life.

Table of Contents

Understanding the "Thats Disgusting Where" Reaction in Storytelling

When someone says "thats disgusting where," it usually comes from a moment of surprise, a sudden jolt. In stories, this isn't just about gore or gross-out scenes, though those can certainly do the trick. More often, it's about a character's action, a revelation, or a turn of events that goes against what we expect or what we find morally acceptable. It's about the feeling of something being out of place, or a boundary being crossed. For example, in writing forums, people often talk about how to write a "ruthless character." This isn't just about someone who is mean; it's about someone who makes choices that might make us, the audience, question their humanity, or at least their methods. And that, in a way, is where that feeling of "thats disgusting where" can really kick in.

This reaction, you see, is often tied to our own personal values and what we believe is right or wrong. So, what one person finds unsettling, another might just shrug at. But the goal for a storyteller is to find those universal points of discomfort, or to make a specific character's choices so clear that the audience can't help but react. It's a very, very human response to something that feels wrong or deeply disturbing. And sometimes, it's precisely these kinds of moments that make a story truly stick in your mind, long after you've finished it. It's like, you know, a story that truly gets under your skin.

Why Storytellers Might Aim for This Kind of Impact

You might wonder why any writer would want to make their audience feel disgusted or uncomfortable. It seems a bit strange, doesn't it? But actually, there are several good reasons. First, it makes a story memorable. Moments that provoke strong feelings, whether it's joy, fear, or even disgust, tend to be the ones we remember most clearly. They stand out. Second, it adds realism. Life, after all, isn't always neat and tidy. People make messy choices, and sometimes, the world is just plain ugly. By showing these aspects, a story can feel more authentic, more like real life, even if it's set in a fantasy world. It’s almost like, you know, making the story breathe.

Third, these moments can really deepen a character. When a character does something that makes us question them, it forces us to think about their motivations, their past, and what drives them. As someone who's seen discussions about "writing insane characters" or "how to make a likable asshole," it's clear that writers are always looking for ways to add layers to their creations. A character who makes you say "thats disgusting where" might actually be more complex and interesting than one who always does the right thing. It pushes the reader to think, to grapple with the story's world and its people. And that, quite frankly, makes for a much richer reading experience.

Finally, these moments can serve a thematic purpose. They can highlight social issues, explore the darker side of human nature, or even just make a point about consequences. A scene that makes you squirm can be a powerful way to convey a message without lecturing the audience. It allows the story to speak for itself, and that, I mean, is a pretty powerful tool for any storyteller. It's a way to really get your ideas across, you know, without just telling people what to think.

Crafting Unforgettable Moments: How to Make Readers React

So, how do you actually go about making those moments that stick with people, the ones that might even make them say "thats disgusting where"? It's not about being gross for the sake of it, naturally. It's about careful planning and understanding your characters. A lot of it comes down to what people in writing circles talk about: how to really put what's in your head creatively on paper. It's about making choices that serve the story and the people in it. You want to build up to these moments, so they feel earned, not just dropped in for shock value. This often means thinking about your character's journey and the world they live in. For instance, if you're working on a medieval story, as some folks are, you might think about the harsh realities of that time and how they could lead to unsettling events. It's about showing, not just telling, the difficult parts.

Character Choices and Their Fallout

One of the most effective ways to create a "thats disgusting where" moment is through a character's choices. It's not just about what they do, but the impact of their actions. Think about a character who has to make a truly difficult decision, one that has terrible consequences, no matter what they pick. Maybe they choose the lesser of two evils, but that lesser evil is still pretty awful. This is where those discussions about "how to write a ruthless character" come in handy. A ruthless character isn't just evil; they might make logical, albeit morally questionable, decisions to achieve their goals. And that, honestly, can be far more disturbing than pure villainy, because it makes you wonder what you might do in their shoes. It's almost like, you know, seeing a mirror of humanity's darker side.

Consider a character who, perhaps, betrays someone they love for a perceived greater good, or who sacrifices an innocent to save many. These aren't easy choices, and the aftermath can be profoundly unsettling. It makes the audience question the character's values, and by extension, maybe even their own. It’s about showing the human cost of certain actions, and that, very often, is where the true impact lies. A character's moral compass, or lack thereof, can be a really powerful tool, honestly, for making people feel something strong.

Situations That Reveal True Colors

Another way to get that strong reaction is by putting your characters in situations that force them to reveal their true nature. As someone in a discussion once put it, "Character traits alone aren't what make a character feel real. It's the story that brings out who they really are and what kind of person they are. Maybe put this character in a situation." This is absolutely spot on. A seemingly normal character, when pushed to their limits, might do something truly unexpected, something that makes you gasp. It could be an act of surprising cruelty, or a moment of profound moral compromise. This isn't about creating an "insane character" just for the sake of it, but showing how pressure can break someone, or reveal a hidden darkness. It’s a bit like peeling back the layers of an onion, you know, and finding something you didn't expect.

Imagine a character trapped in a dire circumstance, where survival depends on an act that goes against everything they believe. Or perhaps they witness something truly awful and their reaction, or lack thereof, is what shocks you. These are the moments where the audience gets a raw, unfiltered look at who these people truly are, and that can be pretty unsettling. It's about showing the ugly side of human nature, or the difficult choices people make when there are no good options. And that, very often, is where the "thats disgusting where" comes from, seeing a person pushed to their absolute limits, and what they become.

The Power of Description

While actions and situations are key, the way you describe things can also play a huge part in evoking that "thats disgusting where" feeling. It's not just about what happens, but how you paint the picture with words. Sometimes, a single, carefully chosen detail can be far more impactful than a lengthy, graphic scene. Think about the subtle hints of decay, the unsettling quiet before a terrible event, or the lingering smell of something wrong. These sensory details can create a sense of unease and dread that slowly builds, rather than just hitting you over the head. It's like, you know, building up the atmosphere slowly, making it creepier and creepier.

The goal is to suggest, rather than explicitly state, the unpleasantness. Let the reader's imagination do some of the work. If you're writing a story and trying to figure out what kind of species your character should be, as one discussion asked, maybe that species has a particular habit or physical trait that, when described just right, could evoke a feeling of revulsion or strangeness. It's about using language to create a feeling, a mood, that resonates with the reader's own sense of what is "disgusting." This approach, honestly, can be incredibly effective, making the reader feel the discomfort rather than just reading about it.

Knowing how far to go is a tricky part of this whole thing, isn't it? When you're trying to create those moments that make people say "thats disgusting where," there's a fine line between being impactful and just being gratuitous. The key, you know, is always to serve the story. If a disturbing scene or character choice doesn't add to the plot, reveal something new about a character, or support a larger theme, then it might just be shock for shock's sake. And that, frankly, can turn readers off pretty quickly. You want the moment to feel necessary, like it couldn't have happened any other way. It's not about trying to gross people out, but about making them think and feel deeply.

Consider your audience, too. What might be acceptable in one type of story or genre might not work in another. A horror story might have a much higher tolerance for unsettling content than, say, a cozy mystery. It's about understanding the expectations you set for your readers. And always, always ask yourself: "Why am I including this?" If the answer is just "to be shocking," then it's probably not the right choice. But if it's to show the true cost of war, or the depths of a character's despair, or the harsh realities of a world, then you're probably on the right track. It's about having a purpose, you know, behind every choice you make in your story. You can learn more about storytelling techniques on our site, which can help with this kind of balance.

Frequently Asked Questions About Crafting Strong Reactions

We often get questions about how to make stories really hit home. Here are a few common ones, kind of like what you'd see in the "People Also Ask" section:

How do I make a character's actions truly impactful without being overly graphic?

You can make actions impactful by focusing on the consequences and the emotional fallout, rather than just the physical details. Show the character's internal struggle, the reactions of others, or the long-term effects of their choices. Sometimes, what's left unsaid or implied can be far more disturbing than explicit descriptions. It's about letting the reader fill in the blanks, which, you know, can be incredibly powerful.

What's the difference between a "ruthless" character and a purely "evil" one?

A ruthless character typically acts without mercy or compassion to achieve a specific goal, which might even be something they believe is good. Their actions are often logical, if cold. An evil character, on the other hand, might inflict harm for pleasure, or simply to cause chaos, without a clear, understandable motive beyond malice. Ruthless characters tend to be more complex and, honestly, more unsettling because their actions can sometimes feel justified, or at least understandable, from their own point of view. It's a subtle difference, but it matters a lot for how readers perceive them.

How can I ensure my story's unsettling moments serve the plot and characters?

Every unsettling moment should advance the plot, reveal something new about a character, or reinforce a theme. Ask yourself: Does this scene change the character's path? Does it expose a hidden trait? Does it make a point about the world of the story? If it doesn't do at least one of these things, then it might be worth reconsidering its inclusion. It's about making sure every part of your story, you know, pulls its weight.

Bringing It All Together for Your Story

So, when you're sitting down to write, and you're thinking about how to really make your story resonate, remember the power of those moments that make people say "thats disgusting where." It's not about cheap tricks, you know, but about building genuine emotional responses. Whether you're trying to figure out what species your character should be, or how to make a character who is truly ruthless, or just how to get all those swirling ideas out of your head and onto the page, remember that the goal is to make your story feel real and alive. It's about crafting experiences that stay with your audience, long after they've finished reading or watching. These are the kinds of stories that people remember, the ones that spark discussions and make them truly feel something. It's a very rewarding part of the creative process, honestly, seeing your ideas take root in someone else's mind. For more inspiration, you might want to check out this guide to writing fiction, it's pretty helpful. And you can also find more resources on character creation right here on this page.

“Thats” vs. “That's”: Here's The Difference | Lingua Blog
“Thats” vs. “That's”: Here's The Difference | Lingua Blog

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